This is not the way the site is supposed to look. It looks much better in a browser that supports web standards, but it is accessible to any browser or Internet device.

SINWAGON.COM
About Sinwagon
Contact the Staff
Search
Luka Bloom - Amsterdam
Jason Mraz - Waiting For My Rocket To Come
Kristin Hoffmann - Divided Heart
Ryan Adams - Demolition
Steve Earle - Jerusalem
Sarah Shannon - Sarah Shannon
Counting Crows - Hard Candy
Goldfinger - Open Your Eyes
More...


Sinwagon:About

ALL RATINGS ARE OUT OF 100

We used to read Rolling Stone in high school and college with anticipation and reverence. They knew what they were talking about. They would tell you if an album was worth your precious change and then back it up with intelligent proof.

Those days are gone. Today, Limp Bizkit can get a 4 star rating and the new *NSYNC album gets a headlining review. The definition of "music" has certainly changed.

At Sinwagon, we may be wrong on occasion, and you may disagree with us often, but we promise to never tell you that Britney Spears will save rock and roll.

The Writers:

Sunil Doshi
As a teenager, Sunil walked into the record store every Tuesday to buy the new releases. Although this led to some questionable decisions (remember Nelson?), music became part of his existence. Now, he regularly pretends to know what he's talking about.

He designed and coded the site. He has a weblog at widepipe.org. He wants to be loved.

Greg Yost
"It all started with Kenny Rogers - The Gambler on an 8-track in my parent's basement. My love of music grew with my first vinyl album, Styx - Kilroy Was Here. Cassettes came along and so did Wham - Make It Big. But my world changed forever when I bought my first CD, Tesla - Five Man Acoustical Jam. Somewhere in the middle I played drums in my school's marching and concert bands and enjoyed very moderate success with a rock band in the days of 'grunge.' Take these things into account as you read what I have to say about other people's music. Enjoy!"

Mike Sheaffer
Mike has always been a sucker for a hook, and secretly enjoys the saccharine-laced balladry of today's pop superstars (though he says he'll never actually buy any of their albums, we all know he'll snag that LFO album when it's in the $.99 bargain bin). Instead, he finds his hooks in bands that offer at least a little more substance in their songcraft.

He has trouble grasping the concept that someone wouldn't like what he thinks is great, a stubborn distaste for Dave Matthews, and an ire and hate for Creed. He also has a laughable amount of +Live+ cds in his collection, but that's OK because he was a fan "before they made it big." At least that's how he justifies it to himself.

He also thinks that if he had a decent singing voice, he'd be famous for the songs he writes in his apartment. Must we continue any longer discussing this man's delusions?